Now Showing
Machine Gun Preacher
Based on an autobiographical account by Sam Childers, an ex-con Hell’s Angel who found God and went off to save orphans in Sudan, this one has action, drama and a socially conscious message. Unfortunately, none of this is done particularly well. Furthermore, Childers has been accused of being little more than a mercenary and of making himself more heroic than facts would indicate. The film...

Feb 2, 2012 | No Comments | 189 views
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Eiga
Always: Sanchome no Yuhi 64
As Johnny Depp, among others, will tell you, a massively popular film franchise can do wonders for your career. Filmmaker Takashi Yamazaki was a mid-level director when he took on the first Always: Sanchome no Yuhi (Always: Sunset on 3rd Street) in 2005. This feel-good nostalgic yarn for Showa-era Japan (specifically the ’50s and early ’60s) has racked up box office hauls of ¥3.5 billion...

Feb 2, 2012 | No Comments | 93 views
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Cinematic Underground
Flamenco, Flamenco
The vibrant documentary Flamenco, Flamenco (2010; pictured) will screen at Bunkamura’s Le Cinema (2-24-1 Dogenzaka, Shibuya-ku; www.bunkamura.co.jp) from February 11. Director Carlos Saura uses live performances and interviews to look at the roots of flamenco dance and music, as well as profile many of the current top performers in the world. www.flamenco-flamenco.com… Veteran actress Kaoru Yachigusa will be honored with a retrospective at Shin-Bungeiza in...

Feb 2, 2012 | No Comments | 35 views
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Movie News

Kevin Mcgue

Most Japanese filmmakers aim to have their works screened overseas, but that rarely happens even with big budgets and household-name stars. However, director Keiichi Kobayashi is seeing the dream come true with a low-budget, black-and-white debut starring first-time actors. About the Pink Sky tells the story of three high-school girls whose lives take an unexpected turn when one of them finds a wallet stuffed with cash and the owner convinces them to produce a “good news newspaper” for a hospitalized friend. The total staff and crew for the indie numbered fewer than 10 people. Norihiko Miyazaki, who acted as the production manager, explains “when you reduce the number of staff, you lower the budget but you also increase your freedom. It never felt like hard work.” Since the teenage stars were acting for the first time, two months of rehearsal preceded the filming. The result is a slow, naturalistic pace that sets the film apart from the usual fare from Japan and has garnered considerable attention, winning the “Japanese Eyes” award at the 2011 Tokyo International Film Festival, and being picked up as an official selection at last month’s Sundance Film Festival in Utah. “My father used to say that you could name anything and find 20,000 fans of that in Japan,” Kobayashi recalls. “My goal was to make a film that would be seen by that many people.” The way things are going, he will achieve that goal many times over.

Feb 2, 2012 | No Comments | 41 views

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