The Disappearance of Alice Creed

The Disappearance of Alice Creed

Originally published on metropolis.co.jp on June 2011 It’s a welcome thing in this age of overproduced CG pirates, werewolves, vampires, mutants and robots to come across a compact little indie film that generates palpable dread, escalating suspense and even a few dark chuckles with only three actors, basically one set and a tight script. Short-film […]

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Originally published on metropolis.co.jp on June 2011

© CINEMANX FILMS TWO LIMITED 2009

It’s a welcome thing in this age of overproduced CG pirates, werewolves, vampires, mutants and robots to come across a compact little indie film that generates palpable dread, escalating suspense and even a few dark chuckles with only three actors, basically one set and a tight script. Short-film director J. Blakeson’s assured debut feature, an intense kidnap-for-ransom knuckle-biter, starts off along conventional lines. A soundproofed room is prepared, handcuffs and gags purchased, multiple locks installed, rich man’s daughter abducted. The two perps (Martin Compston and a very creepy Eddie Marsan) know what they’re doing. Right. There ensues a series of minor twists and revelations, each shifting your perspective of what’s going on ever so slightly. Think A Simple Plan. None of these surprises will you see coming. The title role is played by Gemma Arterton, who, admirably, says she wants to continue making independent films despite being a Bond Girl in Quantum of Solace and making the A-list in such moronic fluff as Clash of the Titans and Prince of Persia. So if you’re tired of big empty films made for 12-year-olds, catch this engaging and entertaining little thriller.